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( theme music playing )
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RUSTY!
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RUSTY!
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YOU DON'T ANSWER,
SOMEONE CALLS YOU?
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LOOK AT THIS SHIT NOW.
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( buzzer )
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WHAT DO YOU GOT
FOR ME, COUNSELOR?
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THE BRIONI.
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HEAR YE, HEAR YE.
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THE HONORABLE DENNIS HOLZER
OF THE EASTERN DISTRICT
OF NEW YORK PRESIDING.
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COURT IS NOW IN SESSION.
BE SEATED.
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COME TO ORDER.
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THE DEFENDANT'S REQUEST
FOR TEMPORARY RELEASE
FROM FEDERAL CUSTODY
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TO ATTEND HIS DAUGHTER'S
WEDDING IS LUDICROUS.
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MR. SACRIMONI
IS A KNOWN MEMBER
OF ORGANIZED CRIME
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AT THE HELM OF A VAST
CRIMINAL CONSPIRACY.
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I NOTICE YOU'RE WEARING
A WEDDING RING, MS. VAUGHN.
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WAS YOUR FATHER
AT YOUR WEDDING?
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MY FATHER
WASN'T AWAITING TRIAL
ON 47 R.I.C.O. PREDICATES,
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INCLUDING MURDER.
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MR. SACRIMONI...
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- YOUR APPLICATION
IS GRANTED.
- ( sighs )
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- Ginny: OH, THANK GOD!
- ON THE FOLLOWING
CONDITIONS. QUIET!
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YOU'LL BE RELEASED
FOR A TOTAL OF SIX HOURS
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TO ATTEND
THE CHURCH SERVICE
AND PARTY THEREAFTER.
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DURING THE ENTIRETY
OF THE SIX HOURS,
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YOU WILL BE ESCORTED
BY U.S. MARSHALS.
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THE COST OF THEIR PRESENCE,
TRANSPORTATION
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AND THE COST
OF METAL DETECTION
SCREENING EQUIPMENT
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IS TO BE BORNE BY YOU
AT YOUR OWN EXPENSE.
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YOU WILL CONSUME
NO ALCOHOL
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NOR OTHER
INTOXICATING SUBSTANCES.
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DO YOU UNDERSTAND
AND AGREE TO THESE
CONDITIONS?
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I DO, YOUR HONOR,
AND THANK YOU.
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- MRS. SOPRANO, GOOD MORNING.
I'M PERRY... ANNUNZIATA.
- COME IN.
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BEAUTIFUL HOUSE.
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YOU ARE GINA ANNUNZIATA'S
COUSIN, RIGHT?
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MUSCLES MARINARA,
THE ITALIAN STRONGMAN.
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I'M JUST GLAD YOU
GOT SOMEBODY CAPABLE
OF PROTECTING YOU,
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- DRIVING FOR YOU.
- WELL, THAT'S WHY
I GOT HIM HERE.
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SHE WORRIES,
MY WIFE.
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- YEAH, WELL...
- HE'S IN GOOD HANDS,
MRS. SOPRANO.
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FIRST RUNNER-UP,
MR. TEENAGE BLOOMFIELD.
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YOUR FIRST DAY
BACK AT WORK.
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GOSH, I FEEL
LIKE A MOMMY.
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HEY. COME ON.
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SEE YOU LATER.
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SO WHAT DO YOU DO?
FREE WEIGHTS, MACHINES?
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LITTLE BIT OF BOTH.
DEPENDS WHAT MUSCLES I'M
TRYING TO HIT, YOU KNOW?
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OH.
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YEAH, I GOTTA GET
BACK TO THE GYM.
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YOU WANT,
I'LL MAKE YOU
A PROGRAM.
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THERE WAS A TIME
WHEN I COULD BENCH
OVER 300 LBS.
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WITH A MAJOR HEAD COLD
ONE TIME, I DID IT.
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YOU COUGH WI WTS
LI THAT ER YT ,
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YOU CRUSH YOUR NECK.
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I GUESS I DON'T
GOTTA TELL YOU.
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HO! YOU DON'T SIGNAL?
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HEY, FUCK YOU!
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WHOA WHOA WHOA.
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SORRY.
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MY MOM SAYS
I SHOULD COUNT 10,
BUT I NEVER REMEMBER.
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WELL, HERE I AM.
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- BACK.
- YEP.
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SO LET ME ASK YOU
RIGHT OFF,
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IS THERE ANY CHANCE
OF A MERCY FUCK?
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JUST KIDDING.
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- HOW ARE YOU FEELING?
- YOU WENT TO MEDICAL SCHOOL.
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A GUT SHOT IS
EVERYTHING THEY EVER
TOLD YOU IT WAS.
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AND EMOTIONALLY?
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I'M HAPPY TO BE ALIVE.
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HAVE YOU SPOKEN
TO YOUR UNCLE
SINCE IT HAPPENED?
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NO. AND WON'T.
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FINALLY GET TO SLEEP
IN MY OWN BED TONIGHT.
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HAD A HOSPITAL BED
IN THE HOUSE
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- LAST MONTH
AND A HALF OR SO.
- IS SLEEPING DIFFICULT?
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- TYLENOL HELPS.
- WHAT ABOUT DREAMS,
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NIGHT TERRORS,
ANYTHING LIKE THAT?
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GLOOM IS YOUR BUSINESS,
AND BUSINESS IS GOOD.
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YOU WERE SHOT, ANTHONY,
BY A MEMBER OF YOUR FAMILY.
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I KNOW.
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AND UNLESS I KNOW
ABSOLUTELY NOTHING
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ABOUT WHAT I'M DOING,
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I THINK YOU AND I'LL
HAVE A LOT TO TALK ABOUT.
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ARE YOU FAMILIAR
WITH THE TERM
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"POST-TRAUMATIC STRESS"?
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I GET IT, OKAY?
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MY UNCLE
TRIED TO KILL ME,
FOR THE SECOND TIME.
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THREE STRIKES
AND I'M OUT, RIGHT?
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WHO KNOWS? MAYBE I
AM SUPPRESSING THINGS.
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BUT FOR RIGHT NOW,
I FEEL LIKE EACH DAY
IS A GIFT.
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I TOLD MY SISTER.
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AND THAT'S HOW
IT'S GONNA STAY.
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FAIR ENOUGH.
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IS THERE SOMETHING
ELSE YOU'D LIKE TO
TALK ABOUT THEN?
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LET'S PICK UP WHERE
WE LEFT OFF BEFORE
THIS ALL HAPPENED.
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A.J.
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BELIEVE IT OR NOT,
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THINGS HAVE GOTTEN
WORSE WITH THAT KID.
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FLUNKED OUT OF COLLEGE.
HE WAITED TILL I WAS
IN A COMA.
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DIDN'T YOU LEAVE
SETON HALL AFTER
A SEMESTER AND A HALF?
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ALL RIGHT, FINE,
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BUT WHY CAN'T HE COPY
SOME OF THE GOOD
THINGS ABOUT ME?
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- DOES HE HAVE A JOB?
- BLOCKBUSTER.
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FIRST STOP
ON THE SHITBIRD EXPRESS.
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IN SOME WAYS,
THIS HORRIBLE SHOOTING
MAY PROVIDE AN OPPORTUNITY
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FOR HIM TO LEARN
FROM YOUR MISTAKES.
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MY MISTAKES--
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I GOT CAUGHT UP
IN DOMESTIC VIOLENCE.
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YOU THINK IT CAN'T HAPPEN
TO YOU, BUT IT DOES.
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BUT I WAS REFERRING
TO THE BIGGER PICTURE:
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THE READY ACCESS
TO GUNS,
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THE USE OF VIOLENCE
TO SOLVE DISPUTES
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BECAUSE OF THE NATURE
OF YOUR WORK,
YOUR UNCLE'S WORK.
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I TOLD YOU I DIDN'T WANT
TO TALK ABOUT MY UNCLE.
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FINE, BUT FOR NOW
IS IT SAFE TO SAY
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THAT THERE ARE WORSE
WAYS TO EARN MONEY
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THAN BY STOCKING SHELVES
AT BLOCKBUSTER?
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YEAH, THERE ARE.
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- COME ON, YOU IN OR WHAT?
- DON'T FUCK WITH
MY CONCENTRATION.
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I'VE WARNED YOU BEFORE.
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WHAT IS IT?
800 MORE?
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FUCK IT. FOLD.
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Sil: CARDS.
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OH! THERE'S THE SKIP.
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BACK WITH A VENGEANCE.
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- YOU LOOK GREAT.
- HOW ARE YOU?
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WELCOME HOME, T.
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- COME HERE,
YOU MALINGERER YOU.
- EASY EASY EASY.
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( laughing )
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- GREAT TO HAVE YOU BACK, T.
- FUCKING GREAT TO BE BACK.
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- SIT, TON',
I'LL CLEAR YOUR SPOT.
- WE GOT YOU YOUR BIALY
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AS SOON AS WE HEARD
YOU WERE COMING IN TODAY.
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NUKE THAT JOE
SO IT'S HOT.
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OH, FUCK.
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00:09:52,100 --> 00:09:54,500
THE ONIONS--
I CAN'T.
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OH, SCOOP OUT
THAT BIALY.
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- I GOT IT.
- SORRY.
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I GOT IT, TON',
NO PROBLEM.
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THERE YOU GO.
I'LL GET YOUR COFFEE,
AND YOU'RE ALL SET.
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SO THE MUNICIPAL
SWIMMING POOL--
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- THE BID START ON THAT YET?
- I GOT A LUNCH TOMORROW.
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THAT GUY DEUTSCH
FROM THE PLANNING
COMMISSION.
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ANTIBIOTICS.
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00:10:18,500 --> 00:10:21,603
I HAD THAT
WITH THE SPLEEN.
STAVES OFF THE INFECTION.
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00:10:21,703 --> 00:10:24,907
SPLEEN, MY ASS.
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BEAT THIS.
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- OOF, MADONN'.
- FUCK THAT.
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- CHECK OUT THIS BAD BOY.
- ( groaning )
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00:10:34,500 --> 00:10:38,400
I HAD THE PLASTIC SURGEON,
TASCHLIN, DO THE OUTSIDE
SUTURES.
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PLEPLER,
THE HEAD TRAUMA MAN,
HE DID THE INSIDE WORK.
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HE DEALT WITH THE SEPSIS.
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00:10:47,400 --> 00:10:49,400
I WAS THE FIRST GUY
AT THE HOSPITAL TO
HAVE THE V.A.C.
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IT'S AN OPEN
INCISION SITUATION.
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IT'S A BETTER WAY TO HEAL.
LESS PULLING ON THE OUTER
DERMIS LAYERS.
156
00:10:55,600 --> 00:10:58,800
THE THING IS WITH ALL
THE ATIVAN AND THE DILAUDID
I WAS TAKING,
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00:10:58,900 --> 00:11:01,500
INTESTINAL BLOCKAGE
WAS A CONSTANT FUCKING
PROBLEM.
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00:11:01,600 --> 00:11:04,800
- SO IN THE LONG RUN--
- THERE'S YOUR COFFEE, TON'.
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00:11:04,900 --> 00:11:07,000
- YEAH.
- Dante: TON',
WITH YOUR MEDICINE,
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00:11:07,100 --> 00:11:10,100
- YOU WANT I SET MY WATCH
SO YOU DON'T GOTTA WORRY?
- NURSE BETTY OVER HERE.
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00:11:10,200 --> 00:11:12,500
WHEN MY MOM HAD THE LUPUS,
GOD REST HER SOUL,
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'ROUND THE CLOCK CARE
I GAVE THAT WOMAN.
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00:11:14,600 --> 00:11:16,900
MEDICINE, FOOD, LIFTED HER
IN AND OUT OF THE TUB.
164
00:11:16,900 --> 00:11:19,700
- THE MAN'S TRYING TO EAT.
- I'M JUST SAYING.
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00:11:19,800 --> 00:11:24,100
ANOTHER LIFE I MIGHT HAVE
GONE INTO HEALTH CARE.
I ACTUALLY ENJOYED IT.
166
00:11:24,200 --> 00:11:26,600
HOW ABOUT A BANDAGE
OVER YOUR MOUTH THEN?
WE'RE TRYING TO PLAY.
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00:11:26,700 --> 00:11:29,500
- YOU CAN LIFT A GROWN
WOMAN OUT OF A TUB?
- MM-HMM.
168
00:11:29,600 --> 00:11:31,400
ISN'T IT IRONIC?
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00:11:31,400 --> 00:11:33,400
FUCKING HOSPITAL STAY
LIKE MINE,
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00:11:33,400 --> 00:11:36,400
YOU LOSE GODDAMN
MUSCLE MASS, NOT FAT.
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00:11:36,500 --> 00:11:39,400
FUCKING BELIEVE IT?
172
00:11:39,400 --> 00:11:41,800
YOU'D THINK AT LEAST
SOMETHING GOOD WOULD HAVE
COME OUT OF THE SITUATION.
173
00:11:42,700 --> 00:11:45,200
- YOU IN, TON'?
- Tony: SURE, WHY NOT?
174
00:11:45,300 --> 00:11:48,400
- HE'S IN.
- SAME GAME,
FIVE-CARD CALLS?
175
00:11:48,500 --> 00:11:52,900
SAME GAME. WHY?
YOU WANNA CHANGE GAMES NOW
'CAUSE I WON THREE POTS?
176
00:11:53,000 --> 00:11:55,200
Paulie:
KEEP THE CARDS
DOWN, SIL.
177
00:11:55,300 --> 00:11:57,500
THE GOVERNMENT'S
OWN NEUROPSYCHOLOGIST
178
00:11:57,600 --> 00:11:59,700
CLEARLY FINDS
EVIDENCE OF DEMENTIA.
179
00:11:59,800 --> 00:12:01,900
EVIDENCE CONSISTENT
WITH DEMENTIA.
180
00:12:01,900 --> 00:12:04,700
NONETHELESS, I'M GOING TO
RECOMMEND HE BE SENT
181
00:12:04,700 --> 00:12:08,400
TO A PRISON PSYCHIATRIC
FACILITY FOR FURTHER
EVALUATION.
182
00:12:08,500 --> 00:12:11,200
HE'LL ONLY BE WAREHOUSED
IN A PUBLIC FACILITY.
183
00:12:11,300 --> 00:12:13,800
NOW, YOUR HONOR, WE ASK
THAT MR. SOPRANO BE SENT
184
00:12:13,800 --> 00:12:16,900
- TO A PRIVATE LOCKED FACILITY.
- WHY NOT A RESORT
IN ANTIGUA?
185
00:12:17,000 --> 00:12:20,400
YOU WANT HIS MENTAL STATE
IMPROVED SO YOU CAN
PUT HIM ON TRIAL?
186
00:12:20,500 --> 00:12:22,500
JUST LET HIM GO
TO A PLACE WHERE
HE CAN GET BETTER.
187
00:12:28,900 --> 00:12:31,500
YOU GOT UNCLE ANGELO
AT TABLE 19?
188
00:12:31,600 --> 00:12:33,400
WHAT?
HE'S WITH CONNIE
AND THEM.
189
00:12:33,400 --> 00:12:35,700
AND WHEN HE
SEES AUNT LORRAINE
AND THE HAITIAN BOYFRIEND
190
00:12:35,800 --> 00:12:37,800
SITTING NEXT TO THEM...
191
00:12:37,900 --> 00:12:40,300
- I THGHT YOU
WERE ON TOP OF THIS.
- THERE'S 400 PEOPLE, JOHN.
192
00:12:40,400 --> 00:12:42,300
I'VE HAD OTHER THINGS
ON MY MIND.
193
00:12:42,400 --> 00:12:44,900
AND I'M IDLING
AWAY THE HOURS?
194
00:12:46,400 --> 00:12:48,800
WHO'S NOT TALKING
TO WHO?
195
00:12:48,900 --> 00:12:50,800
THIS ONE
CAN'T SEE THAT ONE.
196
00:12:50,900 --> 00:12:52,300
IT'S OKAY, HONEY.
TAKE IT EASY.
197
00:12:52,300 --> 00:12:53,900
YOU WERE THE ONE
WHO WANTED A BIG WEDDING.
198
00:12:54,000 --> 00:12:56,800
CATHERINE, YOUR SISTER
HAS ENOUGH TO DEAL WITH
WITHOUT THE COMMENTARY.
199
00:12:56,900 --> 00:12:59,500
I'M SORRY I BLEW
MY STACK, OKAY?
200
00:13:01,600 --> 00:13:04,600
WE ARE GONNA GET THROUGH
THIS AS A FAMILY--
DIGNIFIED, PROUD--
201
00:13:04,600 --> 00:13:06,800
DESPITE ALL THE PERSECUTION
AND ROADBLOCKS.
202
00:13:06,900 --> 00:13:10,100
AND WHEN I SAY FAMILY,
THAT INCLUDES YOU, TOO, ERIC.
203
00:13:10,200 --> 00:13:12,900
- THANK YOU, JOHN.
- THANK YOU WHO?
204
00:13:14,000 --> 00:13:16,000
THANK YOU, DAD.
205
00:13:17,100 --> 00:13:18,700
YOU...
206
00:13:19,900 --> 00:13:23,400
I WANT YOU TO RELAX.
MAKE SURE YOU EAT.
207
00:13:23,500 --> 00:13:26,300
- YOU TOO.
- ME? NO, THANK YOU.
208
00:13:26,300 --> 00:13:29,300
I AM EIGHT POUNDS AWAY
FROM MY GOAL, AND I AM
FITTING IN THAT DRESS
209
00:13:29,400 --> 00:13:31,900
- IF IT KILLS ME.
- JESUS, CAN WE EVER
TALK ABOUT ANYTHING
210
00:13:32,000 --> 00:13:35,000
IN THIS FAMILY
BESIDES FOOD?
211
00:13:38,100 --> 00:13:41,200
- THREE 6'S.
- BOAT, 10'S OVER JACKS.
212
00:13:41,300 --> 00:13:44,100
- VITO, YOU AGAIN.
- ALL RIGHT, THAT'S IT FOR ME.
213
00:13:44,200 --> 00:13:47,300
- BANKER'S HOURS.
- PACE MYSELF, DOCTOR SAID.
214
00:13:47,300 --> 00:13:49,400
YOU'D BE SURPRISED
HOW MUCH ENERGY
THE BODY EXPENDS
215
00:13:49,500 --> 00:13:52,100
- DURING THE HEALING PROCESS.
- PENNE ARABIATTA,
216
00:13:52,100 --> 00:13:53,200
GO GET THE CAR
COOLED DOWN, WILL YOU?
217
00:13:54,400 --> 00:13:58,000
- PENNE ARABIATTA.
- Tony: YEAH, THAT'S
WHAT I CALL HIM.
218
00:13:58,000 --> 00:14:00,200
RED PEPPER FLAKES
UP HIS ASS.
219
00:14:00,300 --> 00:14:02,200
HE'S A FUCKING HOT HEAD.
220
00:14:04,100 --> 00:14:07,600
TON',
PHIL LEOTARDO'S HERE.
221
00:14:10,100 --> 00:14:12,600
ALL RIGHT,
BRING HIM IN.
222
00:14:14,500 --> 00:14:16,400
THERE HE IS.
BACK IN BUSINESS.
223
00:14:21,500 --> 00:14:23,800
- HOW'S THE LABONZA?
- OH, IT'S GOOD.
224
00:14:23,900 --> 00:14:26,500
YOU GUYS LETTING HIM WIN?
225
00:14:26,600 --> 00:14:29,600
LISTEN, I NEED
TO BEND YOUR EAR.
226
00:14:30,800 --> 00:14:33,000
CAN'T IT WAIT?
I WAS JUST ABOUT TO GO
227
00:14:33,100 --> 00:14:35,500
I JUST SAT IN TRAFFIC
ALL THE WAY FROM BROOKLYN.
228
00:14:35,600 --> 00:14:40,100
I WAS UP BY JOHN.
HE SENDS HIS REGARDS.
229
00:14:40,100 --> 00:14:42,400
HE'D LIKE YOU TO DO
HIM A FAVOR, THOUGH.
230
00:14:43,700 --> 00:14:46,000
WHAT NOW?
231
00:14:46,000 --> 00:14:48,600
OUR FRIEND THERE,
THE MAYOR OF MUNCHKINLAND,
232
00:14:48,600 --> 00:14:50,500
JOHN WANTS HIM GONE.
233
00:14:50,600 --> 00:14:52,700
JESUS. RUSTY?
234
00:14:52,700 --> 00:14:55,400
JOHN'S WORRIED HE MIGHT
FIND ANOTHER PUPPET LIKE
LITTLE CARMINE,
235
00:14:55,500 --> 00:14:57,400
TRY TO RUN THE FAMILY
THROUGH HIM.
236
00:14:57,500 --> 00:14:59,700
SO WHY ME HIT HIM?
237
00:14:59,700 --> 00:15:02,400
YOU GUYS GOT MORE BUTTONS
THAN MY GRANDMOTHER'S
FUCKING CORSETS.
238
00:15:02,410 --> 00:15:05,300
JOHN WANTS
THINGS TO POINT AWAY
FROM THE FAMILY.
239
00:15:07,900 --> 00:15:11,600
YOU KNOW WHAT?
TELL HIM, "NO."
240
00:15:11,700 --> 00:15:13,600
TIME AND AGAIN
I'VE DONE HIS BIDDING.
241
00:15:13,700 --> 00:15:16,000
IT'S TIME TO SET
SOME LIMITS.
242
00:15:16,100 --> 00:15:19,400
- REALLY?
- YEAH, REALLY.
243
00:15:23,100 --> 00:15:25,200
BE WELL.
244
00:15:35,100 --> 00:15:37,500
( breathing heavily )
245
00:15:40,700 --> 00:15:43,000
I THOUGHT
I HEARD THE DOOR.
246
00:15:44,500 --> 00:15:46,500
HOW WAS THE FIRST DAY?
247
00:15:46,500 --> 00:15:49,000
IT WAS GOOD.
248
00:15:49,100 --> 00:15:51,800
- TIRED, THOUGH.
- YOU WANNA TAKE A NAP?
249
00:15:56,700 --> 00:15:58,700
SMELLS GOOD.
250
00:15:58,700 --> 00:16:01,100
DOWNY FRESH.
251
00:16:09,100 --> 00:16:12,200
GOD, THIS FEELS GREAT.
252
00:16:12,300 --> 00:16:14,300
IT DOES.
253
00:16:15,800 --> 00:16:18,100
- ( dance music playing )
- ( woman laughing )
254
00:16:34,500 --> 00:16:37,100
CHRIS.
255
00:16:37,200 --> 00:16:39,200
LET 'EM IN.
256
00:16:41,800 --> 00:16:46,200
HO! WHERE ARE THE REST
OF THE 40 THIEVES?
257
00:16:46,300 --> 00:16:48,300
YOU GOT IT?
258
00:16:49,400 --> 00:16:52,600
GOOD WEEK.
120 CREDIT CARD NUMBERS
259
00:16:52,700 --> 00:16:54,700
PLUS THE 3-DIGIT
SECURITY CODES,
260
00:16:54,800 --> 00:16:57,500
- BUT I WON'T CHARGE
YOU NO EXTRA.
- EXCELLENT.
261
00:16:57,600 --> 00:17:00,100
- DON'T LEAVE
HOME WITHOUT IT.
- NO, WE'LL USE THEM.
262
00:17:00,100 --> 00:17:03,400
NO, CREDIT CARDS.
263
00:17:03,500 --> 00:17:05,500
THE COMMERCIAL.
264
00:17:08,100 --> 00:17:10,200
SO TONY'S OUT OF HOSPITAL.
PLEASE GIVE HIM OUR WISHES.
265
00:17:10,600 --> 00:17:14,200
- WE BROUGHT HIM
SOME DATES.
- ( cell phone ringing )
266
00:17:14,300 --> 00:17:16,400
ALSO, CHRIS, YOU KNOW
HOW WE CAN PURCHASE
267
00:17:16,500 --> 00:17:19,200
A COUPLE OF
TEC-9 SEMI-AUTOMATICS,
EXTENDED MAGAZINES?
268
00:17:19,200 --> 00:17:23,900
HOLD ON. TEC-9'S?
WHAT THE FUCK FOR?
269
00:17:24,000 --> 00:17:25,600
IT'S A FAMILY PROBLEM.
270
00:17:25,700 --> 00:17:27,800
MY FORMER BROTHER-IN-LAW,
ACTUALLY.
271
00:17:27,800 --> 00:17:31,800
ALL RIGHT,
FUCKING TAKE IT EASY.
272
00:17:32,000 --> 00:17:34,300
WHAT DID THE GUY SAY?
273
00:17:34,400 --> 00:17:37,500
OUR FRIEND FROM
THE OTHER PLACE,
HE TALKED TO THE GUY?
274
00:17:37,600 --> 00:17:39,600
WHAT'S HIS NAME,
THE LOCAL GUY.
275
00:17:44,200 --> 00:17:47,100
YEAH YEAH, I KNOW.
276
00:17:49,200 --> 00:17:51,600
HOLD ON.
277
00:17:56,100 --> 00:17:58,200
YEP, SEE IT.
THANK YOU, RO.
278
00:18:14,900 --> 00:18:18,400
MR. SACRIMONI,
I'M DEPUTY FEATHEM,
U.S. MARSHAL SERVICE.
279
00:18:18,500 --> 00:18:20,500
THIS IS MY PARTNER
DEPUTY MAYWEATHER.
280
00:18:20,600 --> 00:18:22,700
WE'RE HERE TO ESCORT YOU
TO THE WEDDING TODAY.
281
00:18:22,700 --> 00:18:24,900
GENTLEMEN.
282
00:18:36,100 --> 00:18:39,000
THOUGH ORDERED BY THE COURT,
YOUR RELEASE IS AT
OUR DISCRETION.
283
00:18:39,100 --> 00:18:42,000
SO BASED ON YOUR
BEHAVIOR OR ANY OTHER
MITIGATING FACTORS,
284
00:18:42,100 --> 00:18:44,200
WE CAN ELECT
TO BRING YOU BACK EARLY.
285
00:18:44,300 --> 00:18:46,200
- PATENT LEATHER?
- IT'S A TUXEDO.
286
00:18:46,300 --> 00:18:48,700
HAVE YOU READ AN ISSUE
OF "GQ" IN THE PAST
THREE OR FOUR YEARS?
287
00:18:54,700 --> 00:18:57,100
ALLEGRA SACRIMONI
GETTING MARRIED.
288
00:18:57,200 --> 00:19:00,100
WERE WE NOT JUST
AT HER CHRISTENING?
289
00:19:00,100 --> 00:19:03,300
1980. 50-lb
BUNDLE OF JOY.
290
00:19:03,300 --> 00:19:06,700
SHE'LL BE A BEAUTIFUL
BRIDE, TONY.
291
00:19:06,800 --> 00:19:08,800
ALL BRIDES ARE BEAUTIFUL.
292
00:19:11,300 --> 00:19:14,500
WAIT TILL THIS ONE
GETS MARRIED.
293
00:19:14,600 --> 00:19:17,400
- HOW MUCH ARE WE GIVING?
SO I CAN WRITE IT DOWN.
- YOU KEEP TABS ON GIFTS?
294
00:19:17,400 --> 00:19:20,200
- HOW SENTIMENTAL.
- THAT'S HOW IT'S DONE,
MEADOW.
295
00:19:20,200 --> 00:19:22,200
SO WE CAN KNOW
IF THEY STIFF US
296
00:19:22,300 --> 00:19:24,300
- WHEN YOUR BIG DAY COMES.
- EXACTLY.
297
00:19:24,400 --> 00:19:27,700
- ALL THIS PRESSURE.
- Carmela: I KNOW YOU'D LIKE TO
THINK IT'S ME PRESSURING YOU,
298
00:19:27,700 --> 00:19:30,000
BUT THE REALITY IS
IT'S YOUR FATHER
KEEPS THIS GOING.
299
00:19:30,000 --> 00:19:32,300
PLEASE, LIKE YOU
AREN'T DESPERATE
TO HAVE A GRANDCHILD.
300
00:19:32,400 --> 00:19:35,100
ANY THOUGHTS ON
WHEN YOU ARE FINN
ARE TYING THE KNOT?
301
00:19:35,200 --> 00:19:37,300
THIS DISCUSSION IS OVER.
302
00:19:37,400 --> 00:19:40,000
LOOK, SWEETIE.
303
00:19:41,700 --> 00:19:44,200
IT'S JUST...
304
00:19:44,300 --> 00:19:46,200
WHAT I BEEN THROUGH,
305
00:19:46,300 --> 00:19:48,300
IT CHANGES THE WAY
YOU THINK.
306
00:19:48,300 --> 00:19:51,100
HOLDING MY GRANDKIDS--
307
00:19:51,100 --> 00:19:53,100
YOUR KIDS--
308
00:19:53,100 --> 00:19:55,300
ON MY LAP...
309
00:19:57,100 --> 00:19:59,300
ALL OF A SUDDEN,
IT'S VERY IMPORTANT
TO ME.
310
00:20:08,300 --> 00:20:10,600
( bells ringing )
311
00:20:13,000 --> 00:20:15,200
COULD I HAVE
YOUR NAME, SIR?
312
00:20:19,300 --> 00:20:21,500
( siren wailing )
313
00:20:35,500 --> 00:20:37,400
Woman: HEY, IS THAT
THE FATHER? JESUS CHRIST.
314
00:20:37,500 --> 00:20:39,800
Man: YEAH.
315
00:20:46,100 --> 00:20:47,900
CELL PHONES,
CAMERAS, KEYS.
316
00:20:48,000 --> 00:20:50,700
ALL METAL OBJECTS
MUST BE PLACED
IN A TRAY.
317
00:20:50,800 --> 00:20:53,600
- SIR, WHAT IS THIS?
- NITROGLYCERIN.
WHAT DO YOU THINK?
318
00:20:53,700 --> 00:20:57,500
- COLOGNE. SMELL IT,
YOU DON'T BELIEVE ME.
- PROCEED.
319
00:20:57,600 --> 00:20:59,900
( organ music playing )
320
00:21:04,100 --> 00:21:07,000
YOU'D THINK BIN LADEN
WAS GETTING MARRIED IN THERE.
321
00:21:07,100 --> 00:21:09,900
YOU REALIZE THEY MADE
JOHN PAY FOR ALL THIS
HEIGHTENED SECURITY
322
00:21:10,000 --> 00:21:12,000
- OUT OF HIS OWN POCKET?
- ARE YOU KIDDING?
323
00:21:12,000 --> 00:21:14,000
- THE GOVERNMENT DID THAT?
- MM-HMM.
324
00:21:14,000 --> 00:21:16,300
- ( Tony sighs )
- YOU OKAY?
325
00:21:16,300 --> 00:21:19,500
- YEAH, IT'S HOT.
- ALMOST THERE.
326
00:21:23,700 --> 00:21:26,100
( beeps )
327
00:21:26,100 --> 00:21:28,600
Man:
ALL METAL OBJECTS
IN THE TRAY, SIR.
328
00:21:34,900 --> 00:21:37,500
- ( beeps )
- JESUS CHRIST!
329
00:21:37,600 --> 00:21:39,700
ARMS OUTSTRETCHED,
PLEASE.
330
00:21:43,500 --> 00:21:45,400
( electronic whining )
331
00:21:47,500 --> 00:21:49,300
( electronic whining )
332
00:21:51,200 --> 00:21:53,700
ALL RIGHT, YOU'LL NEED
TO STEP OUT AND REMOVE
YOUR SHOES, SIR.
333
00:21:53,800 --> 00:21:57,100
- OH, COME ON!
- IT'S ALL RIGHT.
334
00:22:07,700 --> 00:22:09,700
- TONY! TONY!
- ( crowd gasps )
335
00:22:09,800 --> 00:22:11,900
- DADDY!
- A.J., GET HIM A CHAIR!
336
00:22:25,900 --> 00:22:29,500
- I SHOULD HAVE WORN LOAFERS.
- IT AIN'T YOUR FAULT, T.
IT'S ALL THIS BULLSHIT.
337
00:22:29,500 --> 00:22:32,800
- IT'S A STEAM BATH.
- I'LL GET A DAMP
PAPER TOWEL.
338
00:22:32,900 --> 00:22:34,700
SORRY.
339
00:22:35,800 --> 00:22:38,700
HERE, TON',
SOME WATER.
340
00:22:38,800 --> 00:22:42,400
HE JUST GOT OUT
OF THE HOSPITAL. ARE
THE SHOES REALLY NECESSARY?
341
00:22:42,500 --> 00:22:44,900
- SORRY, MISS.
- Dante: LET ME DO IT,
DON'T BEND.
342
00:22:51,800 --> 00:22:54,300
ALL RIGHT.
343
00:22:54,400 --> 00:22:58,100
I, ERIC, TAKE YOU,
ALLEGRA, TO BE MY WIFE.
344
00:22:58,200 --> 00:23:01,900
ALLEGRA. AIN'T THAT
A COLD MEDICINE?
345
00:23:02,000 --> 00:23:04,500
IT MEANS HAPPINESS
IN ITALIAN.
346
00:23:04,600 --> 00:23:07,700
WHAT THE FUCK'S
THAT GOT TO DO
WITH COLD MEDICINE?
347
00:23:07,700 --> 00:23:11,100
...FORSAKING ALL OTHERS
SO LONG AS YOU BOTH
SHALL LIVE.
348
00:23:11,200 --> 00:23:13,100
Eric:
IN SICKNESS
AND IN HEALTH,
349
00:23:13,200 --> 00:23:16,800
FORSAKING ALL OTHERS
AS LONG AS WE BOTH
SHALL LIVE.
350
00:23:16,900 --> 00:23:19,800
Priest:
ALLEGRA,
REPEAT THESE WORDS.
351
00:23:19,900 --> 00:23:26,300
I, ALLEGRA, TAKE YOU,
ERIC, TO BE MY HUSBAND.
352
00:23:26,400 --> 00:23:27,800
TO HAVE AND TO HOLD
IN GOOD TIMES AND BAD,
353
00:23:29,500 --> 00:23:31,400
FOR RICHER
AND FOR POORER.
354
00:23:31,500 --> 00:23:34,600
TO HAVE AND TO HOLD
IN GOOD TIMES AND BAD,
355
00:23:34,600 --> 00:23:36,900
FOR RICHER
AND FOR POORER.
356
00:23:37,000 --> 00:23:38,800
IN SICKNESS
AND IN HEALTH,
357
00:23:38,900 --> 00:23:40,300
FORSAKING ALL OTHERS,
358
00:23:40,400 --> 00:23:42,700
SO LONG AS WE BOTH
SHALL LIVE.
359
00:23:42,700 --> 00:23:44,700
IN SICKNESS
AND IN HEALTH,
360
00:23:44,800 --> 00:23:49,200
FORSAKING ALL OTHERS,
SO LONG AS WE BOTH
SHALL LIVE.
361
00:23:49,200 --> 00:23:51,200
( violin music playing )
362
00:24:09,600 --> 00:24:13,600
WOULD YOU BELIEVE
THIS PLACE, THE MONEY
THEY'VE SPENT?
363
00:24:13,600 --> 00:24:17,300
IT'S EITHER THIS
OR GIVE IT TO THE FEDS
IN THE ASSET SEIZURE.
364
00:24:17,300 --> 00:24:21,300
CHECK THIS OUT.
THEY GOT A WHOLE
SEAFOOD STATION OVER THERE.
365
00:24:21,500 --> 00:24:25,500
- YOU'RE NOT HUNGRY, SWEETIE?
- I DON'T EAT FISH.
THE TOXINS.
366
00:24:27,400 --> 00:24:30,300
PINOT GRIG
FOR THE MISSES.
367
00:24:30,400 --> 00:24:33,500
- RUM AND COKE
FOR THE KIDS.
- THANK YOU.
368
00:24:33,600 --> 00:24:36,500
AND A CLUB SODA
FOR THE CONVALESCENT.
369
00:24:36,600 --> 00:24:38,900
Carmela:
THANK YOU, SIR.
370
00:24:39,000 --> 00:24:41,700
SALUT.
371
00:24:41,800 --> 00:24:44,600
HEY, THERE HE IS.
372
00:24:46,800 --> 00:24:48,700
MEADOW,
YOU LOOK STUNNING.
373
00:24:48,800 --> 00:24:51,800
- THANK YOU.
- AND LOOK AT THIS
YOUNG DENTIST,
374
00:24:51,900 --> 00:24:55,100
ALL HANDSOME
IN HIS CALVIN KLEIN.
375
00:24:55,100 --> 00:24:57,200
SOME BEAUTIFUL GRANDKIDS
THESE TWO WILL MAKE, HUH?
376
00:24:58,500 --> 00:25:01,500
SO, TON',
YOU GOT A SEC?
377
00:25:01,500 --> 00:25:03,300
YEAH.
378
00:25:08,500 --> 00:25:11,300
LISTEN, TON',
I DON'T MEAN
TO TALK BUSINESS,
379
00:25:11,400 --> 00:25:13,300
BUT I HAD
TO TELL YOU.
380
00:25:13,400 --> 00:25:16,700
I MET WITH THAT GUY
DEUTSCH, THE ONE FROM
THE PLANNING COMMISSION.
381
00:25:16,800 --> 00:25:19,500
NOT ONLY IS HE IN CHARGE
OF APPROVING BIDS FOR
ALL CITY CONTRACTS,
382
00:25:19,600 --> 00:25:21,600
HE'S ALSO A DEGENERATE
HORSE PLAYER.
383
00:25:21,700 --> 00:25:23,400
SO HE'LL PLAY BALL?
384
00:25:23,500 --> 00:25:25,100
HE'S FUCKING JOE DiMAGGIO.
385
00:25:25,100 --> 00:25:28,800
AND THIS IS
FROM WEEHAWKEN,
THE STRIP MALL.
386
00:25:34,300 --> 00:25:36,300
ENJOY YOUR DAY.
387
00:25:39,700 --> 00:25:43,000
OH, HERE HE IS.
FATHER OF THE BRIDE.
388
00:25:43,000 --> 00:25:46,100
- GOOD TO SEE YOU.
- JOHN, SHE LOOKS
SO BEAUTIFUL.
389
00:25:46,100 --> 00:25:48,700
- IT WAS SO MOVING.
- THANK YOU, HONEY.
I APPRECIATE IT.
390
00:25:48,800 --> 00:25:50,300
ALL THIS.
391
00:25:50,400 --> 00:25:54,100
HEY, GOOGOOTZ, YOU WANNA
BE AN EVENT PLANNER,
392
00:25:54,200 --> 00:25:55,500
YOU LEARN FROM THIS.
393
00:25:55,600 --> 00:25:58,700
AN EVENT PLANNER?
WHERE DO YOU GET
THIS SHIT?
394
00:25:58,700 --> 00:26:02,000
"STUFF" WOULD
DO NICELY, A.J.
WE'RE AT A WEDDING.
395
00:26:06,400 --> 00:26:08,300
GOOD TO SEE YOU,
MY FRIEND.
396
00:26:08,400 --> 00:26:10,500
YOU TOO, JOHN.
397
00:26:10,600 --> 00:26:13,900
- IT'S BEEN A LONG TIME.
- OBVIOUSLY, I COULDN'T COME
VISIT YOU IN THE HOSPITAL.
398
00:26:13,900 --> 00:26:16,200
WHEN I HEARD WHAT HAPPENED,
I WAS DEVASTATED.
399
00:26:16,300 --> 00:26:18,900
THAT'S LIFE, HUH?
400
00:26:19,000 --> 00:26:21,500
SO SERIOUSLY,
WHAT'S THE DAMAGES HERE?
401
00:26:21,500 --> 00:26:23,600
WHAT AM I IN FOR
WITH MEADOW?
402
00:26:23,700 --> 00:26:27,100
NOT COUNTING
THE HONEYMOON, 425.
403
00:26:27,200 --> 00:26:29,700
SO ADJUSTING
FOR INFLATION,
404
00:26:29,800 --> 00:26:31,500
I'M LOOKING
AT HALF A ROCK.
405
00:26:31,600 --> 00:26:34,100
WHAT'S IT ALL FOR,
THOUGH, TONY, HUH?
WHAT WE PUT IN, THE GRIND.
406
00:26:34,100 --> 00:26:36,100
ISN'T THAT
FOR THINGS LIKE THIS?
407
00:26:36,200 --> 00:26:37,700
YEAH.
408
00:26:39,200 --> 00:26:41,200
SO I HEARD PHIL
CAME TO SEE YOU.
409
00:26:43,900 --> 00:26:44,800
LET'S GO SAY HELLO
TO YOUR DAD.
410
00:26:47,600 --> 00:26:50,200
( lounge music playing )
411
00:26:56,500 --> 00:26:59,000
SO HOW YOU DOING HERE?
YOU HAVING A GOOD TIME?
412
00:26:59,100 --> 00:27:01,400
- WHICH ONE ARE YOU?
- MY FRIEND TONY, POP.
413
00:27:01,400 --> 00:27:05,100
HEY, I'M GONNA SAY
A FEW THINGS,
414
00:27:05,200 --> 00:27:07,200
AND THESE PRICKS
ARE WATCHING,
415
00:27:07,300 --> 00:27:10,000
SO I'M GONNA MAKE LIKE
I'M TALKING TO YOUR DAD
AND THEM.
416
00:27:10,100 --> 00:27:13,800
HEY, AUNT... FARRIS.
417
00:27:13,800 --> 00:27:15,400
HELLO.
418
00:27:17,100 --> 00:27:20,300
WHAT YOU ASKED ME TO DO
WITH THE LITTLE GUY,
419
00:27:20,400 --> 00:27:22,300
I CAN'T DO IT.
420
00:27:22,400 --> 00:27:24,300
THIS FUCKING PRICK,
421
00:27:24,400 --> 00:27:26,500
HE'S DISRUPTIVE.
422
00:27:26,600 --> 00:27:29,300
HE DOESN'T HAVE THE BALLS
TO STEP UP HIMSELF.
423
00:27:29,400 --> 00:27:33,400
- WHAT DID HE SAY?
- SO JUST KEEP HIM
AWAY FROM PHIL.
424
00:27:33,500 --> 00:27:37,100
HE'S A CANCER.
I CAN'T LET IT SPREAD.
425
00:27:39,200 --> 00:27:42,800
WELL, YOU'RE GONNA
HAVE TO USE ONE OF
YOUR OWN DOCTORS.
426
00:27:42,800 --> 00:27:45,000
OH, I'D LOVE TO.
BELIEVE ME.
427
00:27:45,000 --> 00:27:47,700
BUT MY POSITION IS
NOT COMPLETELY SOLIDIFIED.
428
00:27:47,700 --> 00:27:49,900
YOU SHOULD CALL
DR. CUOMO.
429
00:27:50,000 --> 00:27:53,200
- WE'RE JUST TALKING HERE,
AUNT LOUISE.
- DON'T EAT THAT PEPPER!
430
00:27:53,300 --> 00:27:55,300
- WHEN CARMINE DIED...
- WHAT?
431
00:27:55,400 --> 00:27:59,100
...RUSTY COULD
HAVE BEEN BOSS.
HE SHOULD HAVE BEEN.
432
00:27:59,100 --> 00:28:02,300
BUT HE DIDN'T WANT
THE RESPONSIBILITY.
433
00:28:02,400 --> 00:28:05,500
LIKE I ADVISED YOU.
434
00:28:07,400 --> 00:28:09,700
SAY NO MORE.
435
00:28:09,800 --> 00:28:11,900
IT'S TOO FUCKING
LATE NOW ANYWAY.
436
00:28:11,900 --> 00:28:13,900
I NEED YOUR HELP, TONY.
437
00:28:13,900 --> 00:28:16,800
SOME OF THESE GUYS,
MY CAPTAINS,
438
00:28:16,900 --> 00:28:19,700
THEY FIND OUT I'M BEHIND
THE MOVE AGAINST HIM?
439
00:28:19,800 --> 00:28:23,200
MAKE THINGS WORSE.
I CAN'T TAKE THAT RISK
WHILE I'M IN JAIL.
440
00:28:23,900 --> 00:28:26,900
STAY OUT OF TROUBLE.
441
00:28:27,000 --> 00:28:29,300
SO I'M SUPPOSED
TO PUT MYSELF AT RISK,
442
00:28:29,400 --> 00:28:31,600
SHARE THE SAME FUCKING
JAIL CELL AS YOU?
443
00:28:31,700 --> 00:28:33,800
- WHAT DID HE SAY?
- I DON'T KNOW.
444
00:28:33,900 --> 00:28:35,300
FORGET IT, JOHN.
445
00:28:35,400 --> 00:28:38,700
IT'S ALLEGRA'S
WEDDING, TONY.
446
00:28:38,800 --> 00:28:41,600
THE WAY THINGS ARE,
447
00:28:41,700 --> 00:28:43,900
I DON'T KNOW IF I'LL BE
AROUND FOR CATHERINE'S.
448
00:28:43,900 --> 00:28:47,000
I KNOW YOU'RE GOING
THROUGH A ROUGH TIME
RIGHT NOW, ALL RIGHT?
449
00:28:47,000 --> 00:28:50,000
THEN DO ME
THIS FAVOR, TONY.
450
00:28:59,600 --> 00:29:01,700
OKAY, I'LL TAKE CARE
OF IT.
451
00:29:02,900 --> 00:29:05,100
I WON'T FORGET IT.
452
00:29:05,200 --> 00:29:07,000
ALL RIGHT.
453
00:29:14,500 --> 00:29:17,400
AND NOW THE MOMENT
WE'VE ALL BEEN WAITING FOR,
454
00:29:17,500 --> 00:29:19,300
FOR THE FIRST TIME
ANYWHERE,
455
00:29:19,400 --> 00:29:22,800
LET'S GIVE A HUGE HAND
AND A LOT OF LOVE TO...
456
00:29:22,800 --> 00:29:24,900
( romantic music playing )
457
00:29:25,000 --> 00:29:28,700
MR. AND MRS.
ERIC DiBENEDETTO!
458
00:29:31,900 --> 00:29:35,000
LADIES AND GENTLEMEN,
FOR THEIR FIRST DANCE
AS MAN AND WIFE,
459
00:29:35,000 --> 00:29:37,300
ALLEGRA AND ERIC
HAVE CHOSEN
460
00:29:37,400 --> 00:29:39,500
THE LOVELY...
461
00:29:39,500 --> 00:29:41,900
( singing love song )
462
00:30:07,100 --> 00:30:10,300
PLEASE JOIN
OUR BRIDE AND GROOM
ON THE DANCE FLOOR.
463
00:30:17,000 --> 00:30:20,200
( camera shutter clicks )
464
00:30:31,200 --> 00:30:33,800
HOW YOU DOING
OVER THERE?
465
00:30:33,800 --> 00:30:35,800
I'M OKAY.
466
00:30:40,000 --> 00:30:43,800
- WANNA DANCE?
- REALLY?
467
00:30:43,800 --> 00:30:46,300
IT'S A SLOW ONE.
468
00:30:59,200 --> 00:31:02,000
( camera shutter clicks )
469
00:31:24,800 --> 00:31:27,400
THANK YOU, GENTLEMEN.
470
00:31:38,900 --> 00:31:40,200
OKAY, CORRADO.
471
00:31:40,400 --> 00:31:43,300
( snoring )
472
00:31:54,900 --> 00:31:58,000
- TAKING ANY MEDICATION?
- COUMADIN.
473
00:32:04,400 --> 00:32:06,100
NOT BAD, CORRADO.
474
00:32:06,200 --> 00:32:08,100
- YOU GOT A TREE OUTSIDE.
- DON'T BULLSHIT ME.
475
00:32:08,200 --> 00:32:10,000
( whistle blowing )
476
00:32:10,100 --> 00:32:12,800
DOCTOR WILL BE IN LATER
TO DO A THOROUGH ADMISSION.
477
00:32:14,600 --> 00:32:19,000
SO, I'LL CHECK IN
WITH YOU AT THE END
OF THE WEEK.
478
00:32:19,100 --> 00:32:21,300
YOU'RE GONNA GET THE HELP
YOU NEED HERE, CORRADO,
479
00:32:21,400 --> 00:32:23,600
SO YOU CAN AID
IN YOUR OWN DEFENSE.
480
00:32:23,700 --> 00:32:25,400
I DIDN'T SHOOT ANYBODY!
481
00:32:25,500 --> 00:32:28,600
CORRADO, LOOK, I DON'T
KNOW YOU THAT WELL,
BUT YOU HAVE TO--
482
00:32:28,700 --> 00:32:29,500
HE'S MY NEPHEW,
GOD DAMN IT. WHY WOULD
I SHOOT HIM? WHY?
483
00:32:32,900 --> 00:32:34,800
THE GUN WAS
ON THE FRITZ.
484
00:32:36,200 --> 00:32:39,000
I WANNA GO HOME.
485
00:32:39,000 --> 00:32:41,000
- CORRADO, STOP IT.
- I WANNA GO HOME!
486
00:32:41,000 --> 00:32:43,200
STOP.
487
00:32:43,200 --> 00:32:46,100
YOU KNOW
THAT'S NOT POSSIBLE.
488
00:32:46,200 --> 00:32:49,200
IF I DID IT,
THE FUCKING GUN
MALFUNCTIONED.
489
00:32:49,200 --> 00:32:52,800
IT WAS OLD, OKAY?
I SHOULD HAVE CLEANED IT.
490
00:32:52,800 --> 00:32:56,200
TRY TO GET SOME SLEEP.
491
00:32:56,300 --> 00:32:58,400
YOU'LL FEEL BETTER
IN THE MORNING.
492
00:33:04,000 --> 00:33:06,200
LADIES AND GENTLEMEN,
AT THIS TIME
493
00:33:06,200 --> 00:33:09,100
OUR LOVELY BRIDE WILL DANCE
WITH HER FATHER.
494
00:33:10,700 --> 00:33:12,700
( crowd aahs )
495
00:33:12,700 --> 00:33:15,200
( man singing
festive song )
496
00:34:07,700 --> 00:34:08,000
THIS IS HOW IT WORKS,
I'M THINKING.
497
00:34:10,000 --> 00:34:12,600
WE BRING SOMEBODY OVER
FROM NAPLES.
498
00:34:12,600 --> 00:34:14,500
WHAT?
499
00:34:14,500 --> 00:34:16,800
COMPLETELY INSULATE OURSELVES.
THEY DO RUSTY,
500
00:34:16,900 --> 00:34:19,900
THEY'RE BACK ON A PLANE
OVER THE ATLANTIC
TWO HOURS LATER.
501
00:34:21,600 --> 00:34:24,300
I DON'T KNOW, T.
YOU ASK ME, FARMING IT OUT
502
00:34:24,400 --> 00:34:27,000
IS A PUSSY-ASS
MANEUVER.
503
00:34:28,400 --> 00:34:30,900
EXCUSE ME?
504
00:34:31,000 --> 00:34:34,500
TON', THE ROLLATINE!
505
00:34:34,500 --> 00:34:36,400
HOLD ON.
506
00:34:36,500 --> 00:34:39,100
IF WE'RE GONNA DO IT,
WE SHOULD DO IT OURSELVES,
507
00:34:39,200 --> 00:34:41,500
MAINTAIN CONTROL.
508
00:34:41,500 --> 00:34:44,300
BETTER YET, TELL NEW YORK
TO FUCKING HANDLE IT ALREADY.
509
00:34:44,400 --> 00:34:46,900
JOHN JUST ASKED ME
SPECIFICALLY.
510
00:34:47,000 --> 00:34:48,700
SO IT'S LIKE
THE MOVIE THEN.
511
00:34:48,800 --> 00:34:52,400
- WHAT MOVIE?
- ONE. THAT YOU CAN'T
REFUSE A MAN'S REQUEST
512
00:34:52,400 --> 00:34:55,400
- ON HIS DAUGHTER'S WEDDING DAY.
- NO, IT'S THE OTHER
WAY AROUND.
513
00:34:55,500 --> 00:34:58,500
THAT I SHOULD BE ASKING
HIM FOR SOMETHING
HE CAN'T REFUSE.
514
00:34:58,600 --> 00:35:01,100
- SO DID YOU?
- NO.
515
00:35:01,200 --> 00:35:05,200
- YOU SHOULD ASK
NOT TO DO THIS.
- I ALREADY FUCKING AGREED.
516
00:35:06,300 --> 00:35:08,200
LOOK, WE WANNA KEEP
HIM PLACATED, RIGHT?
517
00:35:08,300 --> 00:35:10,200
I MEAN, THE SHIT WITH PHIL
AND HIS LITTLE BROTHER
518
00:35:10,300 --> 00:35:12,200
AND THE PERPETUAL HARD-ON
HE'S STILL GOT WITH US.
519
00:35:12,300 --> 00:35:14,400
I DON'T THINK
IT'S A GOOD IDEA.
520
00:35:14,400 --> 00:35:16,500
WELL, I DIDN'T ASK YOU
WHAT YOU FUCKING THINK.
521
00:35:24,000 --> 00:35:27,000
- COME ON.
- YOU'RE GOING ALREADY?
522
00:35:27,100 --> 00:35:29,000
HE'S ALWAYS LIKE THIS
AT WEDDINGS.
523
00:35:29,100 --> 00:35:33,100
YOU MAKE ME SOUND RUDE.
CRAB CAKES. I TOLD YOU
I DON'T FEEL GOOD.
524
00:35:33,300 --> 00:35:35,400
THEY DON'T KEEP
IN THIS HEAT.
525
00:35:35,400 --> 00:35:37,400
VITO, LET'S GO.
526
00:35:37,400 --> 00:35:39,600
FRANCESCA, COME ON.
527
00:35:41,800 --> 00:35:43,900
GOOD NIGHT.
528
00:35:46,700 --> 00:35:48,800
( festive song playing )
529
00:36:15,300 --> 00:36:18,400
JOHN, GONNA HAVE TO
WRAP THIS UP.
530
00:36:21,800 --> 00:36:24,800
SIX HOURS YOU SAID.
I GOT TILL QUARTER
TILL 11:00.
531
00:36:24,800 --> 00:36:26,900
THAT INCLUDES
TRANSPORTATION, SIR.
532
00:36:26,900 --> 00:36:30,300
- YOU FUCKING KIDDING ME?
- I TRIED, JOHN.
THEY WON'T BUDGE.
533
00:36:30,300 --> 00:36:32,200
CAN HE HAVE
SOME CAKE AT LEAST?
534
00:36:32,300 --> 00:36:34,300
YOU CAN PACK SOME
TO TAKE WITH YOU,
IF YOU'D LIKE.
535
00:36:34,300 --> 00:36:36,000
HEARTLESS PRICKS.
536
00:36:36,100 --> 00:36:39,600
OUT FRONT IN 20.
537
00:36:46,700 --> 00:36:49,200
( crowd cheering )
538
00:36:57,800 --> 00:37:00,200
Woman:
HERE THEY COME!
539
00:37:07,200 --> 00:37:08,700
THANK YOU, DADDY.
540
00:37:10,900 --> 00:37:13,800
- I LOVE YOU, BABY.
- I LOVE YOU, TOO.
541
00:37:16,500 --> 00:37:19,500
MOM!
542
00:37:19,600 --> 00:37:22,700
YOU CAME THIS
CLOSE TO ALMOST
MAKING YOUR GOAL.
543
00:37:22,700 --> 00:37:25,700
- HAVE A GREAT TIME, SWEETHEART.
- I'LL CALL YOU WHEN WE LAND.
544
00:37:28,400 --> 00:37:30,400
BYE, GRANDPA.
545
00:37:33,900 --> 00:37:36,200
SAY HI TO DON HO.
546
00:37:38,900 --> 00:37:42,200
- I LOVE YOU.
- ( siren wails )
547
00:37:42,300 --> 00:37:44,000
WHAT THE FUCK?!
548
00:37:47,600 --> 00:37:49,700
- LET'S GO, JOHN.
- WHAT? WAIT A SECOND.
549
00:37:49,800 --> 00:37:53,300
- LET'S GO.
- STAND BACK, PLEASE.
550
00:37:53,400 --> 00:37:56,200
- CAN YOU LET MY DAUGHTER
LEAVE AT LEAST?
- DADDY, WHAT'S HAPPENING?
551
00:37:56,200 --> 00:37:58,300
I WILL NOT ASK YOU AGAIN.
552
00:38:00,100 --> 00:38:01,600
YOU MOTHERFUCKER.
553
00:38:01,700 --> 00:38:03,900
- OH MY GOD.
- WHAT ARE YOU DOING?
554
00:38:03,900 --> 00:38:06,700
- GET YOUR HANDS OFF HIM.
- JESUS CHRIST! IS THAT
FUCKING NECESSARY?
555
00:38:06,800 --> 00:38:09,800
STAND BACK. NOW!
556
00:38:09,800 --> 00:38:13,700
- ( crying )
- JOHN.
557
00:38:20,800 --> 00:38:22,600
( whispers ) WAIT.
558
00:38:24,800 --> 00:38:26,100
( gasping )
559
00:38:26,200 --> 00:38:28,500
- ( thuds )
- MOM!
560
00:38:28,500 --> 00:38:31,400
OH GOD.
OH GOD!
561
00:38:31,400 --> 00:38:33,100
- Man: IS SHE ALL RIGHT?
- GINNY!
562
00:38:33,100 --> 00:38:35,100
Woman:
OH MY GOD!
563
00:38:35,200 --> 00:38:37,400
PUT HER HEAD BACK.
LET ME CHECK HER AIRWAY.
564
00:38:38,800 --> 00:38:41,300
GO.
565
00:38:41,300 --> 00:38:44,300
I'LL TELL YOU
ONE THING, AND I'M
NOT ASHAMED TO SAY IT,
566
00:38:44,300 --> 00:38:47,200
MY ESTIMATION
OF JOHN SACRIMONI AS A MAN
567
00:38:47,400 --> 00:38:49,800
JUST FUCKING PLUMMETED.
568
00:38:49,900 --> 00:38:51,800
GIVE HIM A BREAK,
WILL YA?
569
00:38:51,900 --> 00:38:53,800
IT'S AN EMOTIONAL DAY.
570
00:38:53,900 --> 00:38:56,400
TO CRY LIKE A WOMAN?
IT'S A FUCKING DISGRACE.
571
00:38:56,400 --> 00:38:59,300
HIS FUCKING COACH
TURNED INTO A PUMPKIN.
572
00:38:59,300 --> 00:39:01,500
WELL, EVEN CINDERELLA
DIDN'T CRY.
573
00:39:01,600 --> 00:39:04,000
WHEN IT COMES TO DAUGHTERS,
ALL BETS ARE OFF.
574
00:39:04,100 --> 00:39:06,200
I'VE SEEN TOUGHER GUYS
THAN JOHN CRY AT WEDDINGS.
575
00:39:06,300 --> 00:39:08,400
WELL, LEME
ASK YOU THIS.
576
00:39:08,400 --> 00:39:11,500
IF THEY CAN MAKE HIM CRY
AND IF HE'S THAT WEAK,
577
00:39:11,600 --> 00:39:13,700
WHAT THE FUCK ELSE
CAN THEY MAKE HIM DO?
578
00:39:13,700 --> 00:39:15,000
I GOTTA AGREE
WITH PHIL, TON'.
579
00:39:15,100 --> 00:39:16,700
OH, YOU DO, DO YOU?
580
00:39:16,700 --> 00:39:20,300
TERRIBLE OUT THERE, HUH?
POOR GUY.
581
00:39:20,400 --> 00:39:22,800
HE'S AN EMOTIONAL MAN.
HE LOVES HIS DAUGHTER.
582
00:39:24,400 --> 00:39:27,000
I want to give you
a home, take care of you.
583
00:39:27,100 --> 00:39:28,700
Love you.
584
00:39:28,800 --> 00:39:30,300
Oh, Steve.
585
00:39:30,400 --> 00:39:33,400
You don't know me.
586
00:39:33,500 --> 00:39:35,500
I still love...
587
00:39:37,800 --> 00:39:39,700
WHERE ARE YOU GOING?
588
00:39:39,800 --> 00:39:42,400
- I GOTTA MAKE
SOME COLLECTIONS.
- NOW?
589
00:39:44,000 --> 00:39:46,900
- I THOUGHT YOU WERE SICK.
- GO TO BED.
590
00:39:46,900 --> 00:39:49,700
I'LL SEE YOU LER.
591
00:39:49,800 --> 00:39:52,400
Maybe too much.
592
00:39:52,400 --> 00:39:54,500
Don't think
I want any less.
593
00:39:54,600 --> 00:39:56,000
Do you love me?
594
00:39:56,100 --> 00:39:59,600
I think I do.
595
00:40:13,900 --> 00:40:16,800
WE HAVE BEEN
VERY LUCKY, TONY.
596
00:40:16,900 --> 00:40:19,400
THE HOUSE, THE KIDS,
597
00:40:19,500 --> 00:40:22,100
WHAT WE JUST WENT THROUGH
AT THE HOSPITAL.
598
00:40:25,100 --> 00:40:25,700
YOU MAKE
YOUR OWN LUCK IN LIFE.
599
00:40:32,100 --> 00:40:34,600
I'LL STOP BY TOMORROW.
600
00:41:02,100 --> 00:41:04,200
( rock music playing )
601
00:41:27,800 --> 00:41:29,900
WHAT DO YOU GOT
FOR ME, NICKY?
602
00:41:29,900 --> 00:41:32,500
LET MET GET MY WALLET.
603
00:41:38,000 --> 00:41:40,000
FUCKING SKEEVE THIS SHIT.
604
00:41:57,000 --> 00:41:59,800
WHAT'S A GUY GOTTA DO
TO BUY YOU A DRINK?
605
00:41:59,900 --> 00:42:02,200
YOU JUST DID IT.
606
00:42:06,400 --> 00:42:08,100
VITO?
607
00:42:08,100 --> 00:42:10,000
WHAT THE FUCK?
608
00:42:10,000 --> 00:42:11,900
- SAL, HEY.
- FUCK YOU DOING?
609
00:42:12,000 --> 00:42:15,800
NOTHING. I WAS HERE.
IT'S A JOKE.
610
00:42:15,800 --> 00:42:18,200
- YOU'RE A FUCKING FAG?
- WATCH IT, BUDDY.
611
00:42:18,300 --> 00:42:20,300
YOU FUCKING WATCH IT,
CUPCAKE.
612
00:42:20,300 --> 00:42:23,300
- GUYS, COME ON.
IT'S OKAY.
- YOU THINK SO?
613
00:42:23,400 --> 00:42:25,500
SAL, PLEASE,
IT'S A FUCKING JOKE.
614
00:42:25,600 --> 00:42:28,900
RIGHT, SURE.
SAY HI TO YOUR WIFE.
615
00:42:29,000 --> 00:42:32,300
I'M SERIOUS.
I'M-- SAL, PLEASE.
616
00:42:33,700 --> 00:42:37,200
DON'T SAY NOTHING, SAL!
617
00:42:37,300 --> 00:42:40,400
FUCK THOSE JERKS.
WHAT DO YOU CARE
WHAT THEY THINK?
618
00:42:41,700 --> 00:42:44,700
WHAT? LEAVE ME
THE FUCK ALONE.
619
00:42:58,600 --> 00:43:01,200
- HONEY.
- GO BACK TO SLEEP.
620
00:43:01,300 --> 00:43:03,300
I'M GONNA
TAKE A SHOWER.
621
00:43:13,500 --> 00:43:15,500
( folk music playing )
622
00:44:10,200 --> 00:44:13,500
( rings )
623
00:44:13,600 --> 00:44:17,600
- HELLO.
- Is Sil there?
624
00:44:17,600 --> 00:44:19,700
VITO SPATAFORE.
625
00:44:23,900 --> 00:44:27,100
- HELLO.
- What do you know?
What do you say?
626
00:44:27,200 --> 00:44:28,900
WHAT DO I KNOW?
WHAT DO I SAY?
627
00:44:29,000 --> 00:44:29,900
It's three
o-fucking clock.
628
00:44:31,700 --> 00:44:35,400
- IS TONY ALL RIGHT?
- THAT'S WHY I'M CALLING YOU.
CHECKING IN.
629
00:44:35,400 --> 00:44:37,900
LAST I SAW,
HE WAS HAVING DESSERT.
630
00:44:37,900 --> 00:44:40,300
ALL RIGHT, THEN.
631
00:44:40,400 --> 00:44:42,900
- EVERYTHING ELSE OKAY?
- YEAH.
632
00:44:43,000 --> 00:44:45,600
CALL ME ON MY CELL,
YOU NEED ANYTHING.
633
00:45:07,200 --> 00:45:09,200
THE POINT IS THEY MADE ME
TAKE OFF MY SHOES,
634
00:45:09,300 --> 00:45:12,200
AND I NEARLY PASSED OUT
IN FRONT OF EVERYBODY
TRYING TO BEND OVER.
635
00:45:12,300 --> 00:45:15,100
- WELL, THAT'S NOT GOOD.
- PEOPLE MISINTERPRET.
636
00:45:15,200 --> 00:45:17,600
THEY THINK YOU'RE WEAK,
THEY SEE AN OPPORTUNITY.
637
00:45:17,700 --> 00:45:19,100
THEY'RE MY FRIENDS,
638
00:45:19,300 --> 00:45:22,300
A LOT OF THEM,
BUT THEY'RE ALSO
FUCKING JACKALS.
639
00:45:22,400 --> 00:45:24,000
- ALPHA MALE.
- IT'S SUBTLE,
640
00:45:24,100 --> 00:45:26,600
BUT SINCE I BEEN BACK,
I BEEN NOTICING CERTAIN LOOKS
641
00:45:26,600 --> 00:45:30,100
AND PEOPLE QUESTIONING
MY JUDGMENT WHERE THEY
NEVER DID BEFORE.
642
00:45:30,100 --> 00:45:34,000
SURE, CAT'S AWAY,
BAD HABITS SET IN.
643
00:45:37,000 --> 00:45:38,900
IN A PERFECT WORLD
644
00:45:39,000 --> 00:45:40,700
I JUST RELAX,
645
00:45:40,800 --> 00:45:44,000
LET THEM THINK WHATEVER
THE FUCK THEY WANT.
646
00:45:44,100 --> 00:45:46,300
ACT AS IF.
647
00:45:46,300 --> 00:45:50,000
AS IF YOU'RE NOT
FEELING VULNERABLE.
648
00:45:50,100 --> 00:45:52,500
AS IF YOU'RE
THE SAME OLD ANTHONY.
649
00:45:52,500 --> 00:45:55,100
STRONG, "I'M SURE,"
DECISIVE.
650
00:45:55,100 --> 00:45:59,100
PEOPLE SEE ONLY WHAT
YOU ALLOW THEM TO SEE.
651
00:45:59,300 --> 00:46:03,200
YEAH, I BEEN THINKING
THE SAME THING.
652
00:46:06,100 --> 00:46:08,000
THANKS FOR THE ADVICE.
653
00:46:08,100 --> 00:46:10,800
GLAD TO BE OF SERVICE.
654
00:46:10,900 --> 00:46:13,000
BRING THAT.
COME ON, COME ON, COME ON!
655
00:46:13,100 --> 00:46:15,100
WHERE YOU GOING?
656
00:46:41,600 --> 00:46:44,800
HO, GET THE SKIP
A CHAIR.
657
00:46:44,900 --> 00:46:47,700
I DON'T WANT A CHAIR.
I'M FINE.
658
00:46:47,700 --> 00:46:50,400
TON', HOW YOU DOING?
659
00:46:50,500 --> 00:46:54,100
- WHAT ARE YOU
WEIGHING THESE DAYS?
- DON'T ASK. 265.
660
00:46:57,600 --> 00:46:57,700
LET'S GO.
661
00:47:14,900 --> 00:47:17,700
HEY, WHAT'S UP, TON'?
662
00:47:17,800 --> 00:47:20,500
- SKIP.
- HEY, BOSS.
663
00:47:25,900 --> 00:47:27,800
YOU TALK TO VITO?
664
00:47:27,900 --> 00:47:31,100
HUH? I CALLED HIM
TWO TIMES. HE NEVER
CALLED ME BACK.
665
00:47:31,200 --> 00:47:33,100
YOU TRY THE HOUSE?
666
00:47:33,200 --> 00:47:35,200
'CAUSE HE CALLED ME
JUST THE OTHER NIGHT.
667
00:47:36,900 --> 00:47:39,900
HUNGRY, T.?
YOU WANT, I'LL HAVE
BISSELL FIX YOU A SANDWICH.
668
00:47:40,000 --> 00:47:42,200
NO NO, I'M GOOD.
I'M GOOD.
669
00:48:40,400 --> 00:48:42,300
WHAT'S YOUR
FUCKING PROBLEM?
670
00:48:42,400 --> 00:48:44,600
HUH?
671
00:48:44,600 --> 00:48:47,000
WHAT THE FUCK
IS YOUR PROBLEM?
672
00:48:47,000 --> 00:48:49,300
SLAMMING THE GODDAMN
REFRIGERATOR DOOR.
673
00:48:49,300 --> 00:48:52,100
- WHAT? NO.
- ARE YOU GONNA ARGUE
WITH ME NOW?
674
00:48:52,200 --> 00:48:54,100
I DIDN'T EVEN
OPEN THE REFRIGERATOR.
675
00:48:54,200 --> 00:48:55,900
THE COKE WAS OUT
ON THE COUNTER.
676
00:48:56,000 --> 00:49:00,000
SO YOU ARE GONNA
ARGUE WITH ME, HUH,
YOU FUCKING MUTT?
677
00:49:01,400 --> 00:49:03,700
LOOK, TONY,
I DON'T WANNA--
678
00:49:03,800 --> 00:49:06,200
YOU DON'T WANNA WHAT?
YOU DON'T WANNA WHAT?
679
00:49:07,400 --> 00:49:09,700
THIS FUCKING GUY, HUH?
680
00:49:11,400 --> 00:49:13,500
FUCKING PHILADELPHIA
LAWYER.
681
00:49:13,500 --> 00:49:16,500
( men gasp )
682
00:49:16,600 --> 00:49:18,300
Man: JESUS!
683
00:49:18,400 --> 00:49:21,800
- DON'T DO IT!
- NO, DON'T DO IT!
684
00:49:21,900 --> 00:49:24,200
MY ARM!
685
00:49:31,200 --> 00:49:33,100
( breathing heavily )
686
00:49:34,400 --> 00:49:36,600
HOW'S THAT, HUH?
687
00:49:36,700 --> 00:49:39,000
YOU GOT
ANYTHING ELSE TO SAY?
688
00:49:39,000 --> 00:49:41,000
( Perry moaning )
689
00:49:53,300 --> 00:49:55,100
GET UP.
690
00:50:00,700 --> 00:50:02,700
SYNC: CFS-MP3
691
00:50:04,700 --> 00:50:06,700
Transcript: RaceMan
692
00:50:08,700 --> 00:50:10,700
www.forom.com21
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